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miasimiagoria:

inktheblot:

the true plot twist of gravity falls is that stanley is the smart twin and ford is the biggest dumbass in 52 dimensions

Stan: I’ve run a very successful business for thirty years while rebuilding a portal with one third of the blueprints and no help from a demon.

Ford: It says not to summon him but he called me smart so he can’t be that evil

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malocclusive:

assassinationtipsforladies:

greelin:

greelin:

i love my mother dearly but ability-wise she frightens me bc not only can she find 20 four leaf clovers within the span of like 2 minutes, everywhere, she can also write her name w/ both hands on a dry erase board or w/e at the exact same time and have both be a mirror image of one another

to add to this: i was making breakfast this morning and i hear “hey milo! look who came to say hello!” and, expecting like, a moth or a frog or something of that nature, i turn and she’s holding a snake

Yer ma’s a witch. Be nice to her

@thejonymyster tagged me in this callout post and I hope my eventual children or students when they get older regard me this way and only this way

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moonlitmoth:

secretgaygentdanvers:

Reductress really taking no prisoners today

The best part:

“It’s a common misconception that members of gay relationships have to map onto the roles of a straight couple: woman and asshole,” said Acharya. “But neither of us is the asshole; that’s the entire point.”

Ryser had a number of follow-up questions to this explanation.

“So, if neither of you is the asshole,” said Ryser, “then who plays devil’s advocate when you’re having sensitive political conversations? Who takes the other person’s side when you describe a microaggression? And who gets furious when you’re driving and one of you has to pee?”

Demonstrating immense patience, Acharya tried once more to help Ryser understand.

“None of those things are necessary for a relationship,” said Acharya. “In fact, they’re all bad. People in straight relationships should not do those things either.”

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prismatic-bell:

zombeesknees:

#this entire scene is a fucking masterpiece  #the building tension in Barbossa’s cabin  #the strings in the score rising ominously  #and then the entire movie turns on a /dime/  #‘oh okay’  #I remember thinking  #‘fucking GHOST PIRATES’  #it drops from historical swashbuckler to fantasy swashbuckler in one set piece  #in which the rules for how the crew work are given to you purely in visuals  #and you get to see that sharp difference between horror-horror and fun horror  #because this scene genuinely terrifies Elizabeth  #and delights /you/  #instead of being awful for both of you  #god
it’s just so neatly done and raises the stakes for the film and puts
everything into context and adds depth to the characters 
#and comes as a complete surprise  #this is all the things you want in a set piece  #we should all aspire to storytelling so economical  #(incidentally so should THE SEQUELS  #christ)  (via wizzard890)

Also a demonstration of how to do CGI and do it WELL. Very little of this scene looks hokey or “dated” even fifteen years later. They really thought through how it should WORK, not just how it should LOOK, and it shows.