every year around christmas me and my grandma play this fun family game called “maybe you want to put jesus in your room instead, sweetie? :)”. now, it’s important to note that the jesus referred to in our game is not actually the real jesus christ, but instead a wooden figure i made in 2011 that has an uncanny resemblance to the lord and savior himself
so what happens is that i place jesus in our living room, and my grandma smiles and asks me if i don’t want to decorate my room with him instead. i ask her in return if she thinks my jesus figure is ugly (which he is), but she reassures me that this is not the case. however, a couple of days later jesus mysteriously disappears from our living room, and appear in my room instead
now, the real jesus christ might have been able to perform a miracle like this, but please remember that the jesus in our story is only a figure made out of wood. he can not move on his own, so i think we can safely say that my grandma is the prime suspect here
the first year i would often confront my grandma about this, but she would always make up an excuse and never straight up tell me she moved him because he’s so ugly it’s an embarrassment to the family
eventually i grew tired of her lies, so now we only move jesus around in silence. one second he’s in the living room, the next he’s back in my room. in a way i think this adds an extra element of excitement to the holiday season, because you never know for sure when jesus is going to be moved again
ONE OF THE REASONS THE GRINCH HATES CHRISTMAS IS THE CONSUMERIST CULTURE THAT SURROUNDS IT. IN FACT, HIS VIEW OF CHRISTMAS IS OBFUSCATED TO THE POINT THAT THIS IS ALL HE THINKS CHRISTMAS IS! HIS RELEVATION AT THE END OF THE BOOK IS THAT CHRISTMAS DOESN’T COME FROM A STORE AND THIS BRINGS HIM FAITH IN THE HOLIDAY! HE WOULD NOT EVER FALL IN LOVE WITH THE ONCELER, A NOTED CAPITALIST.
Hey my brain just provided me with the sentence Grinch and Onceler are kismesis and i need someone to track my location and kill me
Friendly reminder to all working artists or (especially) aspiring artists.
If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:
1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.
2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job.
If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well.
Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?
No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.
People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.
If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.
Protect yourself, because no one else will. Protect yourself, because no one else will. There are people lining up around the block to exploit you. Protect yourself because no one else will.
Big Gay Dracula Does a Shitpost 